Central Weekend video

Swofty

Unseen Force
Staff member
Joined
Jan 20, 2008
I've posted this before but it deserves re-posting for anyone who hasn't seen it. Jeremy Bogle in this video looks and behaves like a Tim Burton baddy puppet!. I'm English (so used to it) and even I'm shocked at the aloof and pompous factor here. A young Sam Raimi, eloquent and polite as ever defends his film The Evil Dead on UK TV. The video nasty campaign, truth be told, was really just a way for politicians to present themselves as moral guardians so the government they belonged to would be 're-elected'. Even the interviewer tries to trick him with leading questions. Sam fights his corner gracefully: 

Part 1
http://www.youtube.com/watch?v=AaxpOAnUGB0&feature=related

Part2
http://www.youtube.com/watch?v=-cl8LL6Xubo&feature=relmfu
 
I agree ... but the most comforting thing is that then you realise that Raimi went from strength to strength to earn more money a day than most if not all of those clowns earned in a year ... and by doing something he loved, other people loved and he is still living his dream today ;D ... all those pompous idiots ... where are they now?  ;D. That's how I enjoy watching this video anyway ..

On many levels I can relate to this video because in 1990 I was defending Raimi in a college lecture I'd been assigned to deliver: which artist do you admire and why?. The Evil Dead was still on probation (so to speak) in my England's BBFC, newspapers and Conservative party mentality. It was still considered a thing you should be ashamed to admit you liked, especially in art colleges like the one I was studying in. Despite deliberately not being too gushy in my written delivery and also showing Raimi's tour de fource of camera work (in any genre of filmwork) in his 'Ash ascends the cellar, crazy dutch angles, editing, sound effects that physically shouldn't have existed as he walks under the beams then ending as he screams and shoots the hand absorbing puddle mirror' .. I chose that scene deliberatley and defensively to illustrate that Sam wasn't just some stereotype of an American exploitation goremonger but a director with bold flair in his style. That scene still takes my breath away today and, after I was openly ridiculed by Jo (Joanne) my lecturer and it was all over, two or three students nervously aproached me asking where they could get a copy ... one of those students was Shane Meadows (google him) who is now considered one of the finest British film directors alongside Danny Boyle.  Needless to say I was failed on that talk. Needless to say Joanne has been proven wrong in time. Please watch Shane Meadows Dead Man's Shoes. It's awesome. Paddy Considine went on to work with Edgar Wright, Simon Pegg and Nick Frost amongst others and more recently directed Tyrannosaur. He owned Dead Man's Shoes. Here's an intense scene but it contains spoilers:

http://www.youtube.com/watch?v=ODz0ZfmY4i0&feature=endscreen&NR=1








   
 
I have never seen that video in its entirety, but have seen bits and pieces over the years. Thank you very much for posting it again... Swofty.
 
That was an awesome story man, thanks for sharing. I have heard of Dead Man's Shoes myself and its positive reviews, so it's a movie that I eventually want to watch. It's great the influence we put on others sometimes. I won't watch the scene because I'd rather not have the spoilers as I will watch this movie one day. Sam worked hard and persevered and deserves the position that he is in now. Unfortunately I hate how so many movies recently are suddenly being treated the same way right now (heard The Divide is censored in the UK) as well as others.
 
I love the bit when Sam responds to a sarcastic comment from the audience with a smile and says "actually, I'm thinking of setting part three in England" and some of the audience mockingly laugh as if he's being defensively sarcastic back ... only he knew he was telling the truth back then so he was the only person in the room aware that he'd just leaked a major spoiler. Still secretly giving even when he was under attack. Awesome ..

Although you can see he's getting frustrated, Sam displays self control, self belief and patience, the first lesson is the one I always struggle with (to be honest) when I'm passionate about something my mouth can go faster than my brain sometimes so it was a pleasure to watch Sam not kicking off, even when being denied answers to his cut off valid response questions of "What definative study?" and "Name one".

Sam was previously told his pressence was not required at Snaresbrook Crown Court after he flew over to attend the now legendary Department of Public Prosecution's Video nasty 'witch hunt' court case. As part of my prep for that college talk, I had a telephone conversation with the ex Chief of Police of that time who was very sympathetic to a certain young Mr. Raimi. Now retired, he was happy to admit the case was badly organised, the 'nasty's' being judged in blocks of two titles at a time and mainly only on how distubing the titles themselves sounded. If you re-watch the Central Weekend video you'll catch Jeremy Bogle and the man sitting to Sam's left on stage both admitting that they'd not sat through the whole films. This was the hilarious lack of evidence reason that was echoed in the court case, that prevented the judge present from banning The Evil Dead under The Obscene Publications Act. If this story was made into a movie, it would probably show Sam nobaly defending his film in the docks with swirling music. As it happened (so I was told by the ex copper), Sam was so jet-lagged from the flight over that he fell asleep in the public waiting room and missed it!. No harm done though as it was explained to him "It's not you that's under judgement Mr. Raimi, it's your film.". A wonderfull story showing Sam paying his own way to a different country's  court room that had no juristiction over him but going anyway to defend himself and the film he loved.     

... and the 'it's only like going on a rollercoaster' line of defence (we're only after a harmless thrill) that horror/gore fans have fallen back on over the years, I think, is a valid one but one that needs tightning up because some people don't like horror films or rollercoasters. I'd ask those same people if they'd ever enjoyed or felt ashamed watching a magician on TV or stage performing the classic sawing a person in a box in half trick or the sticking swords through a box that a person is inside trick. The idea that people would want to watch that could be argued as equally perverse and it would be equally ridiculous to suggest that people with a grip on reality would go home and try it for themselves. Some might I suppose. I think that's the crux of this eternal arguement ...

... Elise41, Dead Man's Shoes is a very powerfull film and shot around some places I grew up including a couple of people I knew. I'd recommend watching it on your own and with some tissues nearby for stuff I'm not going to spoil for you. Please let me know what you thought of it.

(I beat Paddy Considine at pool in The Kings Head in Burton on Trent  ;D)   
 
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